[ Good thing Peter's cleared many a criminal hideout by himself. Typically, such places had worse to offer than what the Hand's currently throwing at them, so imagine his relief knowing all the ninjas have been knocked unconscious. Yes, Peter made sure of that himself, but he's still quite eager to count his blessings. Without any further distractions, and just to be safe, Peter carefully surveys his surroundings, making sure every artifact's where it's supposed to be. It's not that he doesn't trust Felicia--

Well, okay. He does, but he doesn't. It's complicated, alright?

In any case, Peter scoffs amusedly at Felicia's remark, the dig at Matt being well-taken. There are some things worse than Parker luck, for sure. ]

If we look hard enough, we just might see him curled up on a church spire later.

[ Now, he happily carries the giant egg in both arms, and turns to make a beeline for the exit. ]

Now how about you and I vamoose on out of here? I'll just go ahead and trigger the motion alarms, then we can go out through that hole the Hand made for us.

[ Triggering the sensors is probably the most efficient way to alert museum authorities to the Hand's presence at the moment. If he receives no alternatives from Felicia, Peter does so only to return to the artifact room and make another beeline for the entrance drilled open by the Hand. Might be a funny image, witnessing Peter in his tights running back and forth while carrying a large, ornate egg. ]

This thing better not have ancient chocolate inside, or something.

[ The only caveat of the convenient escape through that hole is having to navigate the sewers. Fortunately, it's a straightforward path back to the construction site, from which Peter and Felicia can safely ascend to the New York City rooftops.

That's only if they're lucky, though.

The Hand couldn't have been counting on just these ninjas, but Peter tells himself it's too soon to say. ]